Rhizomatic assemblage of the self
Earthenware, paper clay and oxide
33 cm x 41 cm x 34 cm
Artist’s Statement
The Rhizome, as described by French philosophers Gilles Deleuze and Felix Guattari, is a complex root system of multiplicity. Unlike the conventional root system of a tree, which originates at the source and branches outwards, the rhizome has no fixed origin. Rather, it is an intricate network of connections trailing out in many directions.
Using the Rhizome as a metaphor for identity, this paper clay sculpture visually explores the complexities of identity formation. Repeating units, or curved shells, have been used to create an “assemblage of multiplicity” reflecting the continuous process of identity construction. Similarly, while being built, this piece rests in a liminal state. As it is being moulded, the clay sculpture does not have a definite beginning or end, as parts can continually be added onto or removed from it.
The bending silhouette suggests fragility within the vitrified sculpture, signifying that even when solidified, our identities remain fragile and at risk of fracturing or breaking. Further, the distressed surface of each shell shows an intricate network of fine cracks, tears and divots that are highlighted by copper oxide in specific areas. When assembled, each shell represents the rhizomatic and ever-evolving nature of identity construction within the self.
Gallery
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